The Blue Door

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Our new adventure begins tomorrow. We have been preparing in one-way or another for almost 5 years and really much longer than that. My folder called “lake” is bursting at the seams with survey maps, notes on building materials, letters to the county, and floor plans.

We have walked the woods, met with anyone who we needed to meet with, looked at tile, wood and faucets and now the day will come when we walk through the blue door I picked out months ago, it is real, from plan and dream, to dream come true. Our blue door will open onto a new part of our lives.

 

 

 

The Unity of Opposites

 

 

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“Push the dark, by using your 6B pencil.” This would be my drawing advice to students working on creating an area of light in a drawing. How can white look white on white paper? You need some dark around it. This concept is known in the art world at chiaroscuro. If you want to draw folds in fabric you must notice the dark undercut and how it will make the top part of the fold look round and shiny. This is easier said than done, and requires strong powers of observation and a willingness to be daring, to get really dark.

I had this student named Marquis and his drawing skills were solid, but he was unwilling to use dark shadows to create a full range of values, so the result was a gray, monotone drawing without any strong contrast. He’d ask for feedback and in over 1 million different ways I would suggest he try making the dark areas really dark… almost black. I’d come back to find almost the same drawing I had left at the beginning of class. I’d say something encouraging like, “almost there, just more pressure with your pencil”, when what I really wanted to say was “that hasn’t changed at all.” But as luck would have it, his classmate Samuel turned to him and said, “ Did you not hear her? Make it fucking darker.” The joys of high school are many.

On a recent visit to the Greek sculpture gallery in the Art Institute I was stopped dead in my tracks by a scene that gave me such pause. A large, burly man, wearing a sports sweatshirt and knit hat with the team logo thickly embroidered over his forehead was intently looking into a clear case that holds the delicate bust of “A Young Girl”, a Hellenic sculpture that sweetly gazes back with unseeing eyes and a crown of graceful, soft curls on her head. Her hairstyle and dainty features are patterned on the notion of virtue and beauty. What could I do?  Oh for a camera to capture this moment, but it would be gone or ruined by my intrusion. So I slipped behind a case to take another peak at this moment of contrast provided by the two figures. And why would I think a large sports fan would not appreciate the beauty of the girl within the glass case? Was this an example of what Greek philosopher Heraclitus calls the Unity of Opposites, that things aren’t always just black and white, but that opposites can exist within us and that we can posses seemingly incompatible properties at the same time. It was my own narrow view that had left out this lovely possibility.

The cool white marble was serene and still and when the viewer had moved on I went back for a closer look. What did he see that caused him to gaze for several long minutes? I too, came face to face with “A Young Girl”, looking, searching, and hoping that I would also become as transfixed as the previous observer. And lo and behold I found that as I searched her physiognomy that there was no magical moment, clue or answer.   It slowly dawned on me that thanks to this scene of counterparts I went back, I looked again, I reconsidered and it was lucky for me that what had appeared to be visual opposites might not have been so different at all.

 

50 Shades of White, Well really 56

 

I have worked with paint and color for most of my life and you would think choosing a color for our walls wouldn’t be so difficult. We are choosing a white and I pictured picking up a few paint chips to try, maybe an eggshell, cream or the ever-popular off-white, but the paint chart has 56 different shades of white. They begin with cool whites and move to warm whites and I am totally influenced by the name of the paint. How can I ignore Casa Blanca, Alabaster, Steamed Milk or Medici Ivory and choose Reliable White or Modest White. I can’t do it.

We are stuck between Downy, Marshmallow and White Duck. I have looked at them in sun, shade and in the bathroom. I put them next to the wood trim and other whites in our house. If you took them off the page and asked someone what color it was they would say. “White”.

Who could overlook Fragile Beauty, Maison Blanche or Greek Villa? Will I feel better if we choose Restful White or cooler with Windfresh White?

Such problems, but given the world today, spending time talking and thinking about color or absence of color, I would wish these kinds of problems on everyone.

We had poetry book when I was little called Hailstones and Halibut Bones and I loved reading what each color felt like and the mood they could create. Thank you Mary O’Neil

 

What Is White?

White is a dove and lily of the valley

and a puddle of milk spilled in an alley — —

a ship’s sail, a kite’s tail, a wedding veil

Hailstones and halibut bones

and some people’s telephones.

The hottest and most blinding light is white.

And breath is white

when you blow it out on a frosty night.

White is the shining absence of all color

then absence is white, out of touch, out of sight.

White is marshmallow and vanilla ice cream

and the part you can’t remember in a dream.

White is the sound of a light foot walking

White is the beautiful broken lace

of snowflakes falling on your face.

You can smell white in a country room

toward the end of May in the cherry bloom.

 

Deep North

Deep North

By Emma Campbell

 

Emerge from the black water

Drenched with smells of walleye and weeds

Smooth bubbles glide nasty leech seekers to grill crisp in my mouth

Pine seeps off into the dusk until smells of light take over

Leaf piles pucker up to the drooping sunflowers

The hay rolls line up on small hills for a nap against the sunset

Honey drizzled squash on plates of peeled birch

My own circle of the north woods beaming

Kayak past deserted cabins, and row hard

While lily pads sponge murk become less bewitching

Sway sweet peach tree lips, away goes the lightning storm

Winter corn is mown in the aftermath

 

 

Emma has managed to include all the magical things we love about Long Lake. I wish for every child to have a week on a lake. No smooth blue bottom pool, but a few weeds, clamshells and rocks to contend with and to feel a small fish nibble their toes.

But now the lake had a frozen arc in the bay and the geese had come to rest and squawk before flying south. They were sitting on the thin ice or paddling near by and would suddenly take off as if called away on an emergency.

We heard them as we walked down the ice-covered road to see the new roof on our cabin. We had thought a great deal about the color of the shingle and suddenly it didn’t matter. It was there. This is a big change for us. Nothing at the farm has really changed in years, perhaps the occasional light bulb. We have loved and loathed this fact. The house has been there waiting frozen solid all winter until we appear in summer and clean, dust, swim, cook, bike, walk and dance. Then as quickly as it begins, summer ends, we read a poem, pull the shades, and the house waits again.

Now the farmhouse has a new neighbor. We spread our wings and leave the nest and yet rejoice in the comfort this spot provides.

“Be Happy for this Moment”

 

 

In the tiny rooms of life, we look in on the belongings and evidence of recent people. There are small reading glasses, knitting needles and yarn waiting, a chess game in progress, and a silver tea service.

These Thorne miniature rooms have provided me with many years of fascination. They are perfect, small and beautifully lit with sun warming the hand-made needlepoint tapestry rug. A Victorian sitting room with a decorated Christmas tree and precious gifts for children, a doll, a train and a pair of ice skates. Amazingly enough Victorian era children were just recently included in the festivities of Christmas when prior to this the holidays were celebrated with balls and festivities for adults.

I took my daughters to these rooms when they were little and we looked in on perfect lives and décor. I would then go home and really clean house for a few days but soon we would return to our pile of papers by the phone, shoes in the hall and a stack of books next to the bed. The tableaus of our life never will look like the Thorne miniature rooms, because we live in them.

It was at a recent visit to The Art Institute I realized that on our way to sip some hot cocoa we were zooming past Monet’s Haystacks,  Van Gogh’s bedroom and Georgia O’Keefe’s giant painting of clouds, and I do that with so many things in my life. I am so focused on the ending that I’m missing the stuff in the middle. I’ve been going to Mindfulness Mondays at the museum and we meditate for about 15 minutes and then as a group we look at and discuss one work of art for the remainder of the hour. It has been good for me to slow down and pay attention and focus on one thing, but if you are like me, your mind is racing, oftentimes while meditating. Hmmmm.

Memo to self: Slow down, enjoy the moment, clean house a little and then sit back and “be happy for this moment, this moment is your life”

Omar Khayyam

 

 

“Thousands have lived without love, not one without water.” W.H. Auden

Is it too late for me to be a limnologist? I could study inland lakes, rivers, streams and wetlands.   I would find out about the lake that has beckoned us to the north. It is called Long Lake, only one of many long lakes I’m sure. But realistically I think my study would not be so scientific as to warrant a title. Instead, I would focus on the beautiful subtle colors of rocks that line the shore, or that glimpse of green or blue shining through the trees, and the glass-like surface, so I can decide if it will be a good morning to kayak. If I lie on the dock and look down into the water I can clearly see the bottom of the lake, it is sandy and speckled with rocks and the occasional clamshell. I would make note of a snail shell bobbing along the surface. Soft green seaweed waves back at me. I would know about how the color of the lake reflects the sky, and that the colorless cold gray day feels so different from a warm sunny day. The lake has the power to change my mood, but it also is a physical force. We pull our dock out of the lake in the fall so that the fierce north wind won’t send chunks of frozen ice slamming into the shore and shatter the wood into splinters.

On occasions a prehistoric type turtle head surfaces and reminds me that I am not swimming alone, the fish that jumps or the little muskrat aren’t quite so primeval.

Our Long Lake is 19 miles long.   It really is a long lake with depths of 70’ in some areas. It is a spring- fed lake, and many people drive to the source at the far north end of the lake to fill up gallon jugs of cold drinking water.  There is a small space to pull your car over and then on the lake side of the road is an unremarkable metal faucet sticking out of the ground with water running freely. There is a tin cup hanging nearby for a cold drink of spring water. It always seems odd to leave with the water still running.

Long Lake is the Walleye Capital of Wisconsin and is home to loons, bald eagles and herons. The health of a lake can be measured by how many nesting pairs of loons are on the lake during the summer. I think there is somewhere about 7 or 8 pairs a summer on our lake and they are counted and checked on by a group of volunteers known as Loon Rangers. More volunteers on the lake inform boaters to check their propellers and bilge water for invasive plant species like curlyleaf pondweed that may have traveled on their boats to Long Lake, these plants will choke a lake with a thick bed of weeds.

Ancient logs rest on the bottom of Long Lake from the logging era, old weathered boat houses lean improbably along the shore, a tree grips the bank with long roots but dangles over the clear water and falls when no one is looking.

Summer comes and the thick ice that you could drive on in your truck is now gone, no evidence. A pontoon boat goes by and we wave in celebration of another day on Long Lake.

There is nothing more important to all of us who love the lake than taking care of this gift.

“How often we speak of the great silences of the wilderness and of the importance of preserving them and the wonder and peace to be found there. They will always be there and their beauty may not change, but should their silences be broken, they will never be the same.” Sigurd F. Olson

Build a House

Thank goodness I have a sister.

Together we take care of our family’s ancient farmhouse on a lake in northern Wisconsin. This house, forest and almost all the neighboring land around it belonged to our great grandparents, or other relatives. Our maternal grandparents from the Czech Republic vacationed in the north woods and bought 2 farms during the depression from our Norwegian paternal relatives.

So a vacationing city girl meets a local country boy and voilà! The home movie that sums up this union is an image of my practical Norwegian grandparents, looking a bit like a Grant Wood painting, sitting outside on a summer day in those curved metal lawn chairs, while my mom wearing her Catalina swimsuit is doing a dance in the lawn á la Theda Bara from The Vamp.

Janice and I spent every summer of our lives at Long Lake even the pouty teen years.

We drove into the yard and our grandparents rang a bell to signal our arrival. All our cousins arrived from Minnesota and we had many lovely nights under the stars looking out over the beautiful lake and happily listening to our uncles and aunts tell stories of growing up in rural Wisconsin, freezing cold trips to the outhouse, a one room schoolhouse, and seeing the doctor in summer when he came to vacation on the lake.

We dreamed for years of building our own house, keeping the farmhouse, but having something new for our expanding family, and this vision is becoming a reality. Kevin and I are digging in those beautiful, mossy woods, in between trees softened by lichens, paths made by deer and a hidden mound where the bear spent the winter.

It is our responsibility and our greatest joy to keep telling the stories, and writing new ones as we go.

“We plant; we store the seedcorn. Our sons and daughters

topdress old trees. Two chimneys require:

Work, love, build a house, and die. But build a house.

–Donald Hall

So Long Frank Lloyd Wright

People have been coming in and out of our house in Oak Park for several months now while we waited for a buyer.   Receiving feedback on a home you know and love is nothing short of horrible. We actually had someone tell us our home was “too prairie style” for their taste. I wondered where they thought they were.

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This process has taught us several things. One is, the stuff we have accumulated and thought was valuable and amazing is actually not. The other thing is about why we really loved our home. It is not the oak trim, the screened porch, the garden, the fireplace, or the location, although these were wonderful.  It is all the life events that occurred there, this is why we fell in love. It is the photos taken before the first day of school and homecoming dances, the party Brigid had in the backyard where the whole sophomore class showed up. It is laughter spilling from Emma’s room where a group of girls have gathered to sleep over. It is many pairs of shoes left by the door, dog hair floating under furniture, creaky stairs, and an attic full of stuff. It is holidays around the dining room table with guests taking turns reading Plum Pudding for Christmas. It is a box of Irish dance shoes, a doll buggy and a random beer in a dresser drawer. It is a prom dress, varsity letters, and a rocking horse. This is the lovely messiness of our life and we cherish it and we take it all with us.

Grown and Sexy Tap

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I can’t find half of my belongings after our move and a summer up north, but I had the wherewithal to set aside a pair of the girls’ old tap shoes and today I walked over to the Fine Arts Building where there is a dance studio overlooking Michigan Avenue.  I took a class called Grown and Sexy Tap. We made rhythms with our feet, toes and heels. We watched, learned and tried new things.We honored those dancers who came before us, Bill “Bojangles” Robinson, The Nicholas Brothers,  and Idella Reed-Davis.

My mom wanted my sister and I to have our tap shoes handy for all occasions. She envisioned us more in the Ruby Keeler genre, Fred and Ginger or maybe Shirley Temple. It wasn’t until later in life she told us she had an opportunity to dance professionally and my grandma and my dad discouraged her or didn’t allow her to go. This small story, told once when she was about 83, was such a window into my mom’s encouragement over my sister’s and my dance lessons. She was never a stage mom; she just thought that any family occasion should warrant a “show”.

As petulant teens we resisted her pleas and moved away from tap dancing, but we both came back to it later in life. It is this ebb and flow between parents and children that is so amazing. We never know when something will emerge that was hidden under all that “need to be defiant, do my own thing, you don’t know what your talking about” person. I have confessed to my sister that I now realize that many times my mom was right about something, but we held on to that streak of independence so fiercely. So maybe green eye shadow in 8th grade was a bad idea, or cutting bangs, or wearing big clogs to a job interview or my sister playing outside in her go-go boots. But you figure this stuff out and you look back and realize it almost had to happen that way.